"We need to recognise the true value of music, and the work that goes into its creation and performance, whether that's to a live audience or online." In this episode, the first of the new season, we're off to a great start with Harriet Wybor of PRS for Music. We know the ins and outs of performing rights can seem a bit of a mystery. So if you're a composer, if music royalties matter to you, or if you're simply curious about how publishing and mechanical rights work, listen in as we walk you through everything you need to know about music royalties but never dared to ask. Here are links to some of the resources that are covered in the episode: www.prsformusic.com www.prsfoundation.com wwwprsmembersfund.com If you enjoy this conversation, please subscribe, check out our other great episodes, and even better leave us a review. You can also follow us on social media and sign up to our mailing list at www.polyphonyarts.com/mailing-list for updates and news about Music Works and Polyphony Arts. Producer: Virtual Concert Halls
5.5: Making your mark as a media composer with Helen Lyon
MWM 32: Dealing with your inner procrastinator
5.4: Vibrance & diversity – how Cape Town Opera is firing up South Africa’s music scene
MWM 31: Setting goals that keep you motivated
5.3: The Donne project - celebrating Women in Music
MWM 30: Making resolutions and why they may hold you back
5.2: Building a career in music and why diversity matters with Samir Savant
5.1: Why we need women in leadership roles
4.13: Christmas special 2021 - An evening at the Ivors
MWM 29: Concert going with the next generation – a parent’s perspective
4.12: Top tips for job applications in the arts
MWM 28: When Musicians Have Wealth and Influence
4.11: I Can See Hope From Here
MWM 27: “Of course we value your work, but…”
4.10: “From The Red House” – giving music of a sense of place.
MWM 26: Freedom of expression vs institutional sexism
4.9: “Let What’s In, Out” – accordionist Amy Thatcher tells the story behind her latest release
4.8: The Angry Garden – Michael Stimpson’s musical eco-fable for our time
4.7: Performance anxiety and stage fright - advice from Harley Street
MWM 25: Finding fulfilment as a musician
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