"We need to recognise the true value of music, and the work that goes into its creation and performance, whether that's to a live audience or online." In this episode, the first of the new season, we're off to a great start with Harriet Wybor of PRS for Music. We know the ins and outs of performing rights can seem a bit of a mystery. So if you're a composer, if music royalties matter to you, or if you're simply curious about how publishing and mechanical rights work, listen in as we walk you through everything you need to know about music royalties but never dared to ask. Here are links to some of the resources that are covered in the episode: www.prsformusic.com www.prsfoundation.com wwwprsmembersfund.com If you enjoy this conversation, please subscribe, check out our other great episodes, and even better leave us a review. You can also follow us on social media and sign up to our mailing list at www.polyphonyarts.com/mailing-list for updates and news about Music Works and Polyphony Arts. Producer: Virtual Concert Halls
1.15A - Classical music: the dark side! A singer tells all.
1.14: Stepping into your arts career.
1.13: Sexism and sexual harassment in the music industry
1.12: Redefining the concert space
1.11: Why music competitions don't work and how to fix them
1.10: why we need to start singing again.
1.9: Insights from an insider - Michael Poll on programming in the arts, & rhetoric in music
1.8: When can you call yourself a composer?
1.7: Cultured Communities: arts, communities and how we fund them.
1.6: Using the difficulty - how musicians are finding opportunities in challenging times.
1.5: Teaching, performing & recording under COVID with Steve Stirling
1.4: Valuing your skills as a musician, with a business mindset
1.3: Beyond Covid - education and inclusivity with bassonist, Prof. Fraser Gordon
1.2: Belonging vs Fitting In - inclusivity & the creative process with composer Ella Jarman-Pinto
1.1: A Manifesto for Classical Music
Music Works trailer
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