Chris and Alex return once more to the pioneering work of stop-motion animator and effects artist Ray Harryhausen, this time looking at his 1973 fantasy film collaboration with director Gordon Hessler, The Golden Voyage of Sinbad. For Episode 80, the focus is on the quasi-parasitic relationship between live-action and animation filmmaking, and the spectatorial fantasy engendered and invited by each form of moving image technology. Topics include psychoanalytic film theory and the ‘internal object’; the ontological integration of Harryhausen’s ‘Dynarama’ effects with the fantasy of location shooting; animation discourse and the problem of essentialist understandings of medium specificity; The Golden Voyage of Sinbad’s orientalist imaginary and problematic constructions of race; the materiality of stop-motion, and the ‘weighty’ qualities to the film’s army of mythical homunculi; and the big-screen trend of casting ‘animators’ as villains in their control and manipulation of suddenly sentient fictional worlds.
Footnote #11 - Society for Animation Studies (with Chris Pallant)
Osmosis Jones (2001) (with Tom Sito)
Footnote #10 - Hybridity
100th Episodes
Footnote #9 - Sword and Sorcery
Your Name (2016) (Live at the British Film Institute)
Footnote #8 - Plasmaticness
Doctor Strange in the Multiverse of Madness (2022)
Footnote #7 - The Fantastic
Rogue One (2016) (with Jonathan Wroot)
Footnote #6 - Anthropomorphism
The Secret of Moonacre (2008) (with Lucy Shuttleworth)
Footnote #5 - High Fantasy and Low Fantasy
Contemporary Ukrainian Animation (with Joshua First)
Footnote #4 - Stop-Motion
Encanto (2021) (with Dolores Tierney)
Fantasy/Animation supports the #UCUstrike
Fantasy/Animation supports the #UCUstrike
Howl’s Moving Castle (2004) (with Brian Attebery)
Footnote #3 - Fantasy
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