"It's a very smooth evening," I suggest at one point in this broadcast. Compared to what? A porcupine's back, or sandpaper, or a loofa, perhaps.
My plan to play 36 songs on the night was probably ill-considered, and was quickly cut down to 35 (apologies to Gaye Su Akyol--is it my destiny always to be apologizing?) when all the computers in the room decided to freeze on me and I had to read public service announcements without underscoring to prevent dead air. There was a period in my life when people used to tell me I had a "good radio voice" but I don't hear it so much anymore. This endures for only about 3 minutes or so, but seems interminable to me. YMMV. I also worry about causing a food panic by biffing the opening hours of Loaves and Fishes, but I am probably kidding myself about the number of people listening.
Anyway, that's what I get, apparently, for being optimistic about this program beforehand. You can hear the audio software failing during the Fall track (sorry), the aux cord came dislodged from my laptop during my PSA adventure, ruining the first few seconds of the Hairbone track (sorry), and my playlist was set to "shuffle" so we accidentally hear the first few seconds of a Comet Gain track--which I call a "harbinger of something" (sorry)--so I guess apologies are my destiny. I sound like Radio Niger without the exoticism--I am just a local bumbler.
But in my defense, if you can make it through the first 10 minutes or so, by which point "the technology is working for us and not against us," this is a pretty rewarding mixtape. There is some head-nodding goodness around the time of Stereolab and Beaches, and for the most part I got out of my own way in the second hour (apologies--again!--if I have used that phrase before). Playing Ammar 808 immediately after the Budget Girls was probably not such a great idea, but I executed it with confidence, which seems to have made a difference there and elsewhere. I talked over Dominik Eulberg's excellent track--he always seems to provide such an opportunity--but it was so nice and long that I couldn't resist. I got Cee Bee Beaumont's name wrong no less than four times, but at least I played their track without screwing it up. You're welcome?
Alright, look, it wasn't a great night for music or talking, and what else is there, but there are at least a few things that came off properly. I ended the proceedings a little bit early, because why not quit while I am ahead?
BOMBAST playlist, 2019 January 9, 2100-2300:
Burning the private paradise of dreams
https://www.facebook.com/radiobombast?ref=hl
https://twitter.com/KidCatharsis
Greatness in Me, You Can't Make Me Feel Less: Transmission 489, 2019 October 16
Despite All My Rage, We Still in a Daze: Transmission 488, 2019 October 13
Melt the House, Wake the World: Transmission 487, 2019 October 9
The Night Is Made of Rocks: Transmission 486, 2019 October 5
Can't Be Trusted 'Cause You're Living in the Past: Transmission 485, 2019 October 2
When One Road Close, Another One Go Open: Transmission 484, 2019 September 25
U_D_M Detour 39, 2019 September 21
If I Could Just Explain the Way My Mind Is: Transmission 483, 2019 September 18
U_D_M Detour 38, 2019 September 14
From Childhood's Hour I Have Not Been As Others Were: Transmission 482, 2019 September 11
Business Is Ok But I Miss Working with the Young Folks: Transmission 481, 2019 September 8
Off and On He's Been Here, Guess He'll Never Go Home: Transmission 480, 2019 September 4
U_D_M Detour 37, 2019 August 31
Apologizing Is Terrifying: Transmission 479, 2019 August 14
She Reassured Me with an Unfamiliar Line: Transmission 478, 2019 August 9
You've Been At It So Long It's Chronic: Transmission 477, 2019 August 7
Rest in Power, Emma Durutti: Transmission 476, 2019 July 31
Maybe You Should Know That I Suffer from Sudden, Startling Revelations: Transmission 475, 2019 July 10
Expression Experts: Transmission 474, 2019 July 6
U_D_M Detour 36, 2019 June 29
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