"It's a very smooth evening," I suggest at one point in this broadcast. Compared to what? A porcupine's back, or sandpaper, or a loofa, perhaps.
My plan to play 36 songs on the night was probably ill-considered, and was quickly cut down to 35 (apologies to Gaye Su Akyol--is it my destiny always to be apologizing?) when all the computers in the room decided to freeze on me and I had to read public service announcements without underscoring to prevent dead air. There was a period in my life when people used to tell me I had a "good radio voice" but I don't hear it so much anymore. This endures for only about 3 minutes or so, but seems interminable to me. YMMV. I also worry about causing a food panic by biffing the opening hours of Loaves and Fishes, but I am probably kidding myself about the number of people listening.
Anyway, that's what I get, apparently, for being optimistic about this program beforehand. You can hear the audio software failing during the Fall track (sorry), the aux cord came dislodged from my laptop during my PSA adventure, ruining the first few seconds of the Hairbone track (sorry), and my playlist was set to "shuffle" so we accidentally hear the first few seconds of a Comet Gain track--which I call a "harbinger of something" (sorry)--so I guess apologies are my destiny. I sound like Radio Niger without the exoticism--I am just a local bumbler.
But in my defense, if you can make it through the first 10 minutes or so, by which point "the technology is working for us and not against us," this is a pretty rewarding mixtape. There is some head-nodding goodness around the time of Stereolab and Beaches, and for the most part I got out of my own way in the second hour (apologies--again!--if I have used that phrase before). Playing Ammar 808 immediately after the Budget Girls was probably not such a great idea, but I executed it with confidence, which seems to have made a difference there and elsewhere. I talked over Dominik Eulberg's excellent track--he always seems to provide such an opportunity--but it was so nice and long that I couldn't resist. I got Cee Bee Beaumont's name wrong no less than four times, but at least I played their track without screwing it up. You're welcome?
Alright, look, it wasn't a great night for music or talking, and what else is there, but there are at least a few things that came off properly. I ended the proceedings a little bit early, because why not quit while I am ahead?
BOMBAST playlist, 2019 January 9, 2100-2300:
Burning the private paradise of dreams
https://www.facebook.com/radiobombast?ref=hl
https://twitter.com/KidCatharsis
Live Flagrant, Make People Nervous: Transmission 473, 2019 June 26
U_D_M Detour 35, 2019 June 22
I Feel Something I Want To Be, Lesson One: Look at Me: Transmission 472, 2019 June 19
We Are Running Out of Love in the Time of Lexapro: Transmission 471, 2019 June 12
Flying Aboard the Seduction 747: Transmission 470, 2019 June 7
You Know How To Sing, You're a Diplomat: Transmission 469, 2019 June 5
Kiss All Your Posters, Hold All My Letters: Transmission 468, 2019 May 29
Do You Ever Want To Turn Around And Go? Transmission 467, 2019 May 22
All About the Screaming: Transmission 466, 2019 May 18
Saying Nothing So You Don't Have To Lie: Transmission 465, 2019 May 15
That Little Problem Our Boys in Engineering Find So Entertaining: Transmission 464, 2019 May 8
Cruising Altitude Departure 32, 2019 May 4
Let Me Take You Down the Corridors of My Life: Transmission 463, 2019 May 1
But What Does It Matter? Transmission 462, 2019 April 24
Validate What You Create: Transmission 461, 2019 April 23
Of Course You'll Scoff: Transmission 460, 2019 April 17
I'll Have To Stay By Your Side: Transmission 459, 2019 April 10
M Is For The Mean Things That This Mean Man Does: Transmission 458, 2019 April 3
Everything Is One, You Have Nothing To Do with It: Transmission 457, 2019 March 27
He's Scandinavian, That's Why I'm Confused: Transmission 456, 2019 March 26
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