Compilation albums have helped define a musical scene or time period for decades, and the roots of 90s alternative rock are unmistakably tied to the underground music of the 1980s. While punk exploded into the mainstream 1994 thanks to million selling albums by Green Day and The Offspring, the seeds were planted in the small scenes across the country more than a decade earlier, many of which were never documented. Luckily, those that got laid down on vinyl or tape often have unknown gems waiting to be discovered. In the case of the 1984 compilation, It Came From Slimey Valley, which documents the Oxnard, California "nardcore" scene, the hardcore sound isn't as predictable as one might expect, with bands occasionally slowing the tempo, incorporating more dynamics, or turning up the fuzz.
Songs In This Episode
Intro - Prophesy by False Confession
16:24 - Death of Two Lovers by Flower Leperds
20:08 - Violent Children by Reign of Terror
22:43 - In the Trenches by Rigor Mortis
34:37 - Old Towne Mall by The Grim
39:09 - Boy's Life by Dr. Know
Outro - There's Someone in the Cellar by Crankshaft
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#424: Is by The Big F
Patreon Preview - Panorama by The Cars
#423: Pod by The Breeders
#422: Pop-Punk In The 90s Roundtable
#421: Machine Fish by Galactic Cowboys
#420: Goat by The Jesus Lizard
#419: Albums of 1999 Roundtable
#418: Mossy God by Mantissa
#417: Wrecreation by Stanford Prison Experiment
#416: Sunrise On The Sufferbus by Masters Of Reality
#415: Season Eight In Review
#414: In On The Kill Taker by Fugazi
#413: Good Morning Spider by Sparklehorse
#412: The Lateness Of The Hour by Eric Matthews
#411: Free Mars by Lusk
#410: Owsley by Owsley
#409: Aerosmith In The 90s
#408: Empty by God Lives Underwater
#407: Scumdogs Of The Universe by Gwar
#406: Keep It Like A Secret by Built To Spill
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