Welcome to "Hearing the Pulitzers," a new podcast that examines and analyzes each winning Pulitzer Prize in Music composition and composer!
In the first episode, Andrew and Dave discuss the impetus behind starting the podcast, how each episode will be organized, and some opening thoughts on the history of the music prize and the whole concept and meaning of the Pulitzer Prize. Please subscribe to receive each new episode.
If you're interested in further reading or want to see what resources we used for this episode, we recommend:
We also want to thank the Society for American Music for their support of this podcast through their Sight and Sound Subvention. The Society for American Music is dedicated to the study, teaching, creation, and dissemination of all musics in the Americas, so check out their many outstanding projects.
Want to contact us? Email us at hearingthepulitzers@gmail.com and follow us at twitter and Facebook @HPulitzers.
Episode 14 - 1956: Ernst Toch, Symphony No. 3
Episode 13 - 1955:Gian Carlo Menotti, The Saint of Bleecker Street
Episode 12 - 1954: Quincy Porter, Concerto for Two Pianos and Orchestra
EPISODE 11 - 1953: No Prize
EPISODE 10 - 1952: Gail Kubik, Symphony Concertante
Episode 9 - 1951: Douglas Moore, Giants in the Earth
Episode 8 - 1950: Gian Carlo Menotti, The Consul
Episode 7 - 1949: Virgil Thomson, Louisiana Story
Episode 6 - 1948: Walter Piston, Symphony No. 3
Episode 5 - 1947: Charles E. Ives, Symphony No. 3, "The Camp Meeting"
Episode 4 - 1946: Leo Sowerby, Canticle of the Sun
Episode 3 - 1945: Aaron Copland, Appalachian Spring
Episode 2: 1944 - Howard Hanson, Symphony No. 4 ("Requiem")
Episode 1 - 1943: William Schuman, Secular Cantata, No. 2, "A Free Song"
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