Ozark Magic with Brandon Weston

 

This week Ken and Mark venture into the deepest wooded mountains of the Ozark region to discover the hidden magic contained within. Our spirit guide on this quest is author of ‘Ozark Folk Magic’, and ‘Ozark Mountain Spell Book’, Brandon Weston.

This week we discuss: How does one acquire ‘The Power’, Plant magic, the myths and monsters of the region, just how do you pronounce ‘Appalachian’ and much more.

Joining me on his cunning throne this week is Mar(c)k™ Satyr

Main theme by Simon Smerdon (Mothboy)

Music bed by chriszabriskie.com

Check out Brandon’s book over at Llewellyn BooksBrandon Weston Bio:

My work is a living tradition. It’s the work that Ozark healers have been doing for hundreds of years. You can see many different cultures and traditions represented in Ozark folkways. These beliefs and practices, much like the Ozark people who created them, are a mixture of many places, beliefs, and ways of life.

Specific folk traditions that have had a great influence on Ozark folkways include the European Cunning craft, Cajun/Creole folk medicine including the path of the Traiteur, Pennsylvania German Braucherei often also called Powwowing, Indigenous healing practices from the diverse nations of the Southeastern US, West African folk traditions by way of Southern Rootwork, Hoodoo, and Conjure, and even Central/South American Curanderismo.

An important aspect of my research includes looking into all the traditions that have had such a great impact upon Ozark folkways. In looking at where these traditions intersect, we can start to understand so much more about the lives and practices of our ancestors. While you can look at Ozark folkways and see the fingerprint of all these traditions, remember that these practices remain unique to this specific area and should be approached with that mindset. ​

I’m an Ozarker through and through. This is the land where I was born, the land where my parents and my grandparents were born, as well as many more of my ancestors before that. In this way, my work is my own, the spirits I honour are my own, and while my work may be seen as a part of the larger tapestry of Southern folk magic, there are many practices that are unique to me as I have learned them. I hold true to all these traditions that I’ve been taught and those that have been Spirit led.​