The business of talking animals is the focus of Footnote #6, as Chris (with a bit of Alex) takes listeners through the shared histories of anthropomorphism and animation, and the acquisition of humanlike qualities (sentience, subjectivity, and selfhood) by non-human animated characters. Topics include the visual curiosity of the anthropomorph as a hybrid figuration caught between humanity (ánthrōpos) and the non-human (morphē); the role of persuasive personality and affinity within identifiable cel-animated, object, or virtual characters; collisions between nature and culture embedded in the anthropomorph’s fractured identity; affiliated terms such as ‘therianthropy’ that speak to gradations of humanity in animated animals; and why anthropomorphism as a representational strategy perhaps lies at the very heart of animated filmmaking.
**Fantasy/Animation theme tune composed by Francisca Araujo**
Monster House (2006) (with Jane Batkin)
Footnote #30 - Franchises
Harry Potter and the Prisoner of Azkaban (2004) (with Rhianna Dhillon)
Footnote #29 - Transmedia
Arab Animation (1937-2015) (with Omar Sayfo)
Footnote #28 - Adult Animation
Everything Everywhere All At Once (2022) (with David Sorfa)
Footnote #27 - Surrealism
Harry Potter and the Chamber of Secrets (2002) (with Jyotsna Kapur)
Footnote #26 - The Cinema of Attractions
The Lord of the Rings: The Two Towers (2002) (with Daniel White)
Footnote #25 - Photorealism
Peppa Pig Revisited (with Sarah Ann Kennedy)
Footnote #24 - Hyper-Realism
The Mitchells vs. the Machines (2021)
Footnote #23 - Phantasy
Czech Animation (1946-2011) (with Adam Whybray)
Footnote #22 - Boiling
House of the Dragon (2021-) (with Kim Akass)
Footnote #21 - World-Building
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