The business of talking animals is the focus of Footnote #6, as Chris (with a bit of Alex) takes listeners through the shared histories of anthropomorphism and animation, and the acquisition of humanlike qualities (sentience, subjectivity, and selfhood) by non-human animated characters. Topics include the visual curiosity of the anthropomorph as a hybrid figuration caught between humanity (ánthrōpos) and the non-human (morphē); the role of persuasive personality and affinity within identifiable cel-animated, object, or virtual characters; collisions between nature and culture embedded in the anthropomorph’s fractured identity; affiliated terms such as ‘therianthropy’ that speak to gradations of humanity in animated animals; and why anthropomorphism as a representational strategy perhaps lies at the very heart of animated filmmaking.
**Fantasy/Animation theme tune composed by Francisca Araujo**
WandaVision (2021)
Arrival (2016) (with William Brown)
Grave of the Fireflies (1988) (with Alex Dudok de Wit)
Dark (2017-2020) (with Nicolas Leu)
Space Jam (1996) (with Paul Wells)
Star Wars: The Last Jedi (2017) (with Helen O'Hara)
The Prince of Egypt (1998) (with Francesca Stavrakopoulou)
Flushed Away (2006)
Happy Feet (2006) (with Hannah Hamad)
Inception (2010) (with Todd McGowan)
Captain Marvel (2019) (with Trixter VFX Studio)
Animated Christmas Adverts (1951-2018) (with Malcolm Cook)
James Bond Title Sequences (1962-2015) (with Ed Lamberti) (Part 2)
James Bond Title Sequences (1962-2015) (with Ed Lamberti) (Part 1)
Christopher Robin (2018)
Sherlock Jr. (1924) (with Peter Adamson)
Roobarb (and Custard) (1974) (with Birgitta Hosea)
Rango (2011) (with Neil Brand)
Bright (David Ayer, 2017)
Hugo (2011) (with Eric Smoodin)
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