The business of talking animals is the focus of Footnote #6, as Chris (with a bit of Alex) takes listeners through the shared histories of anthropomorphism and animation, and the acquisition of humanlike qualities (sentience, subjectivity, and selfhood) by non-human animated characters. Topics include the visual curiosity of the anthropomorph as a hybrid figuration caught between humanity (ánthrōpos) and the non-human (morphē); the role of persuasive personality and affinity within identifiable cel-animated, object, or virtual characters; collisions between nature and culture embedded in the anthropomorph’s fractured identity; affiliated terms such as ‘therianthropy’ that speak to gradations of humanity in animated animals; and why anthropomorphism as a representational strategy perhaps lies at the very heart of animated filmmaking.
**Fantasy/Animation theme tune composed by Francisca Araujo**
The Dark Crystal (1982) (with Tanya Kirk)
Arthur Christmas (2011)
Footnote #39 - Special Effects
Disney: A Tale of Technology and Innovation (Live at the British Film Institute) (with Chris McKenna)
Footnote #38 - Storybook Openings
Harry Potter and the Goblet of Fire (2005) (with Taylor Driggers)
Footnote #37 - Silent Cinema (with Lawrence Napper)
They Shall Not Grow Old (2018) (with Lawrence Napper)
Footnote #36 - Horror Cinema (with Stacey Abbott)
ParaNorman (2012) (with Stacey Abbott)
Footnote #35 - Twice Told Tales
Cats (2019)
Fantasy/Animation - Announcement
Footnote #34 - Science Fiction (with Mark Bould)
Free Guy (2021) (with Mark Bould)
Footnote #33 - Can Colour Blind People Work in VFX? (with Chris McKenna)
Dumbo (2019) (with Chris McKenna)
Footnote #32 - 3D (with Nick Jones)
Spider-Man: No Way Home (2021) (with Nick Jones)
Footnote #31 - Claymation
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