Dario is joined on-stage at the Electric Palace by two final year Digital Film students studying at the University of Brighton - Kathryn Bessant and James Calver - to discuss George Miller's 1979 Ozploitation action fest Mad Max. Mel Gibson takes the title role as Max Rockatanski, the fearless cop waging war with kill-crazy bikers who target his family. It is a road-scorching, neo-punk, take-no-prisoners combat set in the lawless Australian outback.
Neil and Dario expand on themes from the film and engage in a wider discussion covering topics including the future of the arts in higher education, neoliberal ideology, dystopian cinema, Sean Parker's Screening Room proposal and Louis CK's Horace and Pete.
Show Notes:
Times Higher article on graduate earnings
Requiem for the American Dream - Documentary on Noam Chomsky
Sean Parker's The Screening Room - Daily Beast article
Horace and Pete - Louis CK
WTF with Marc Maron - Interview with Louis CK
The Teacher's Soul and the Terrors of Performativity by Stephen J. Ball
London Review of Books article about H.G. Adler's The Wall
Cannes 2022
Hannah Strong on Sofia Coppola
Nightmare Alley, The Northman and more
Boiling Point (w/dir. Philip Barantini)
Tyler Taormina (Ham on Rye, Happer’s Comet)
Cherish Oteka & The Black Cop
Bill Douglas Cinema Museum
Michel Chion, in Conversation (Part 2)
Michel Chion, in conversation (Part 1)
(Repost) Ep106 Peter Bogdanovich (from Sept 2020)
2021 review
Jodorowsky‘s Dune (w/ director Frank Pavich)
Raising Films and Recent Films (w/So Mayer)
Dr Alison Peirse - Women Make Horror
London Film Festival 2021: Part 2
London Film Festival 2021: Part 1
Independent Magazines
Rose Plays Julie (w/Christine Molloy and Joe Lawlor)
Season 13 Finale
Nicolas Rapold
Create your
podcast in
minutes
It is Free
Cinema: A to B
I Finally Watched...
Star Wars Escape Pod
Pod Meets World
Kill James Bond!