Dario is joined on-stage at the Electric Palace by two final year Digital Film students studying at the University of Brighton - Kathryn Bessant and James Calver - to discuss George Miller's 1979 Ozploitation action fest Mad Max. Mel Gibson takes the title role as Max Rockatanski, the fearless cop waging war with kill-crazy bikers who target his family. It is a road-scorching, neo-punk, take-no-prisoners combat set in the lawless Australian outback.
Neil and Dario expand on themes from the film and engage in a wider discussion covering topics including the future of the arts in higher education, neoliberal ideology, dystopian cinema, Sean Parker's Screening Room proposal and Louis CK's Horace and Pete.
Show Notes:
Times Higher article on graduate earnings
Requiem for the American Dream - Documentary on Noam Chomsky
Sean Parker's The Screening Room - Daily Beast article
Horace and Pete - Louis CK
WTF with Marc Maron - Interview with Louis CK
The Teacher's Soul and the Terrors of Performativity by Stephen J. Ball
London Review of Books article about H.G. Adler's The Wall
Her (live from the University of Chichester)
Joe Strummer: The Future Is Unwritten (w/ director Julien Temple)
A Ghost Story
London Film Festival 2018 w/Filmmaker and Critic Marbelle
The Piano (w/ Ellen Cheshire)
American Animals director Bart Layton
Film-Philosophy Conference 2018
Steve McQueen
Lek and the Dogs (w/ Dir. Andew Kötting)
Unsocial Audiences
The Islands and the Whales (W/ dir. Mike Day)
Juice (w/ film critic & podcaster Leslie Pitt)
Claire Denis (with Dr. Felicity Gee)
Right Now Film Festival / Brexitannia (+filmmaker Daisy Asquith)
In a Lonely Place (w/ Prof. Julie Grossman)
Dark River (with Clio Barnard and Andrew Kötting)
Paul Thomas Anderson
Contemporary Film Criticism
Post-Weinstein (plus an interview with Dr. Tamsyn Dent.)
La Notte (featuring film critic Robert Koehler)
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