Dario is joined on-stage at the Electric Palace by two final year Digital Film students studying at the University of Brighton - Kathryn Bessant and James Calver - to discuss George Miller's 1979 Ozploitation action fest Mad Max. Mel Gibson takes the title role as Max Rockatanski, the fearless cop waging war with kill-crazy bikers who target his family. It is a road-scorching, neo-punk, take-no-prisoners combat set in the lawless Australian outback.
Neil and Dario expand on themes from the film and engage in a wider discussion covering topics including the future of the arts in higher education, neoliberal ideology, dystopian cinema, Sean Parker's Screening Room proposal and Louis CK's Horace and Pete.
Show Notes:
Times Higher article on graduate earnings
Requiem for the American Dream - Documentary on Noam Chomsky
Sean Parker's The Screening Room - Daily Beast article
Horace and Pete - Louis CK
WTF with Marc Maron - Interview with Louis CK
The Teacher's Soul and the Terrors of Performativity by Stephen J. Ball
London Review of Books article about H.G. Adler's The Wall
(Bonus) Alex Barrett & London Symphony
(Bonus) Brighton CineCity Co-Director Tim Brown
A New Leaf (w/ The Ballad of Shirley Collins filmmakers)
(Bonus) Blade Runner 2049
Crossings 2017
(Bonus) Social Realism?
(Reposting) Ep1 Repo Man
Screenplay Film Festival (With Mark Kermode and Linda Ruth Williams)
Season 6 Trailer
Ask Us Anything
B. Ruby Rich (also with Club Des Femmes and Yance Ford)
The Levelling (with Hope Dickson Leach & Corrina Antrobus)
The Other Side of Hope (with academic Jaakko Seppälä)
Close-up (with Mania Akbari)
Taxi Driver
The Happiest Day in the Life of Olli Mäki (with director Juho Kuosmanen)
Professor Richard Dyer
Ben Wheatley
Victim (with writer David Blakeslee)
Feminist Surrealism and Film (with Dr Sabina Stent & Dr Felicity Gee)
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