Not in Print: playwrights off script - on inspiration, process and theatre itself
Arts:Performing Arts
It’s a classic odd-couple story. Meet Ana—a battle hardened Hungarian-Australian veteran of the twentieth century. Catherine is her neighbour: twenty-something and waiting for a better world. Can their unlikely friendship outlive the colossal forces of history, the inevitability of death, and a trip to the mall to see Mamma Mia?
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Lally Katz is one of Australia’s most intriguing playwrights. She is also one of the country’s most performed playwrights. A graduate of the University of Melbourne, Lally also studied playwriting at London’s Royal Court Theatre. Her plays include Frankenstein, The Black Swan of Trespass, The Eisteddfod, Criminology and Goodbye New York, Goodbye Heart. Her 2009 play, Goodbye Vaudeville Charlie Mudd, received the Victorian Premier’s Literary Award. A Golem Story won the same award in 2012. Other awards include several Green Room and Melbourne Fringe Awards, as well as a New York International Fringe Festival Producer’s Choice Award.
The Shoe-horn Sonata: digging up the past l Award-winning Australian theatre
Scores to be Settled l Reflections on award-winning Australian theatre
The Unacknowledged l Reflections on award-winning Australian theatre
Stories in the Dark: princes, wolf-mothers & singing bones l Award-winning Australian theatre
Playwright's Note for Stories in the Dark l Reflecting on award-winning Australian theatre
Moth: The chaos of teenage friendship l Award-winning Australian theatre
The Excruciating Theatre of Declan Greene l Reflections on award-winning Australian theatre
Speaking in Tongues: mysterious reflections, love's refractions l Award-winning Australian theatre
Playwright's Note for Speaking in Tongues l Reflections on award-winning Australian theatre
Holding the Man: I'll see you soon, angel l Award-winning Australian theatre
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